Down the Dark Path Books, Paintings, and delicious darkness from J Edward Neill

Painting with Darkness, Part VIII

March 9, 2016 / by grimwain

In recent weeks, I’ve been working with my paintbrush more than I’ve been writing.

Turns out slashing with paint gets the darkness out of my system much faster than hammering on a keyboard.

And so I thought I’d share:

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Fire Lens

‘Fire Lens’ 36″ x 36″

Fire Lens is 3 lbs of canvas. It’s huge! The photo here is somewhat muted, but the live version is lustrous and dark, a shining white eye wreathed in deep crimson and black. It’s a room dominator, to be sure.

Dripping

‘Dripping’ – 36″ x 22″

Dripping was a tortuous painting. It started as a watercolor experiment and became much more. I saturated my paints with as much water as they could hold (while still maintaining a bit of grey/black) and went to work. The acrylics drained down the canvas. The white lines you see are drip marks, which is exactly what I wanted. The muddled blacks and gruesome greys are where I let the watered paint form into little puddles. This is one sad, cold painting.

G Sunshine

‘Sunshine’ – 16″ x 12″

My kid, the G Man, won’t let me paint without him. He’s done almost as much canvas work as I have! Here was a quick multicolor work he named Sunshine. It’s a stark contrast to my darkness, which I love. He said this is what the sun looks like up close. Pretty close, right?

The Hecatomb Master

‘The Hecatomb’ – 30″ x 20″

Most of my work is without purpose. I just paint what I want and let the brush fall where it may. Not so with The Hecatomb. This large canvas was created with a book’s front and back covers in mind. The book by the same name is now available! It’s a sequel to this and this.

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If you liked these, here’s a few Painting with Darkness posts from history. Like this. And this. And this.

And the darkest of all my art appears on these.

Until next time.

J Edward Neill

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